Booth Tarkington PAMPERED YOUTH (1925) Lost Silent Version MAGNIFICENT AMBERSONS

Description

Vintage original 11x14 in. US lobby card
from the lost silent film drama,
PAMPERED YOUTH
, released in 1925 by the Vitagraph Company of America and
directed by David Smith
.
Based upon the famous 1918 Pulitzer prize-winning novel,
The Magnificent Ambersons
, by Booth Tarkington, a
t the turn of the 20th century, the Ambersons are the leading family in a small Indiana town: their home is the local showplace and their views are news. Major Amberson's (Emmett King) daughter, Isabel (Alice Calhoun), is unable to decide between two suitors until one of them, Eugene Moran (Allan Forrest), disgraces himself by a drunken serenade. Isabel then marries the other, Wilbur Minafer (Wallace MacDonald), whom she does not love, and Eugene leaves town. When Wilbur dies, she centers all her affection on her son, George, who develops from a spoiled child (Ben Alexander) into a shallow, self-centered man (Cullen Landis). After a number of years, Eugene, now a widower, returns to the town, having made a fortune in the manufacture of automobiles. George falls in love with Eugene's daughter, Lucy (Charlotte Merriam), but resents Eugene's obvious attachment to Mrs. Minafer. When Major Amberson dies, George, who has dissipated the family fortune, is forced to go to work. Matured by his job, George is reconciled to Eugene when Eugene rescues Mrs. Minafer from a fire in the Amberson mansion.
The image features two separate scenes depicting an interior shot of Wilbur Minafer (
Wallace MacDonald
) talking with his son, George (
Cullen Landis
) and a second interior scene depicting George Minafer (
Cullen Landis
) try to coax some love from Lucy Morgan (
Charlotte Merriam
). The border artwork depicts the story's famous fire scene in the bottom left with a corresponding scene in the bottom right that also includes the famous "Vitagraph" studio logo.
This vintage original lobby card is unrestored in good+ condition with two a circular stain near the bottom of the left border; a very light 1.75 in. diagonal crease on the top left corner in the borders only; four pinholes in the center of the top border and two in or near each side border; random signs of light wear on the corners; and a few areas of light discoloration. The beautiful, rich color tints are fresh and vibrant without any signs of fading.
Pampered Youth
was one of the final films produced by Vitagraph Company of America before they were absorbed into Warner Bros.
Tarkington's novel was also the basis for the 1942 RKO production,
The Magnificent Ambersons
, directed by Orson Welles and starring Joseph Cotten and Tim Holt. Only portions of the silent film version exist in a
Pathescope 9.5mm home digest versions of Vitagraph feature films believed not to survive in their original length and format. The home versions are reduced to one or two reels of 9.5mm film, with run times of 10 to 20 minutes. The full-length Vitagraph originals are thought 'lost', and that the digests are the only remaining versions.
Two major alterations of
Pampered Youth
from the novel on which it is based are the title itself and the family name, from the “Ambersons” of the book to the “Minafers” in the film. While the reviews from the time were kind, comparison to other films made at the same period cannot be avoided, especially concerning the camera work, which was credited to David Smith and Stephen Smith, Jr. The photography of
Pampered Youth
is primitive, featuring fixed, distant camera views, which don’t allow for any nuances or subtleties by the actors. Considering some of the cutting-edge film technique that was already in regular use by 1925, this deficiency of skill was undoubtedly due to either lack of imagination or laziness on the part of the director. The result is a glaring flaw in the interpretation of the sweeping saga of Tarkington’s original novel, for which he was awarded the 1919 Pulitzer prize for literature. The core theme of the story is the rejection of modernity by the protagonist, George Minafer (portrayed by Cullen Landis), a spoiled, selfish scion who must eventually lose his family’s fortune, suffer poverty and social shame, and then be redeemed by the story’s end.
But the surviving, snipped versions of
Pampered Youth
that are commercially available are missing almost one hour of the original film, having been reduced to only 24 minutes, as compared to the original 7 reels of film that was released in 1925. Almost ten full minutes of the surviving, chopped film is taken-up by the climatic fire scene, thus eliminating much of the prior plot explanation and making little sense. This makes comparisons to the acclaimed re-make in 1942 by Orson Welles (titled as the novel
The Magnificent Ambersons
) very difficult to justly contrast or compare. But from the perspective of film preservation and the performances of Alice Calhoun, Cullen Landis, Charlotte Merriam, Wallace McDonald and a very young Ben Alexander, the surviving copies of
Pampered Youth
are precious, indeed.