THE GOLDEN AGE OF COMEDY (1957) Laurel & Hardy Paint a Derrière Silent Comedy

Description

This is a vintage original 11x14 in. US lobby card from the classic 1950's compilation tribute to silent film comedy,
THE GOLDEN AGE OF COMEDY
, released in 1957 by Twentieth Century-Fox and directed by Robert Youngson. Co-written by Youngson and René Clair, this feature film is a compilation of scenes featuring some of the best-known comics from the silent era in their best films. The cast includes Stan Laurel, Oliver Hardy, Will Rogers, Ward Wilson, Carole Lombard, Jean Harlow, Ben Turpin, Harry Langdon, Charley Chase, Billy Bevan, Andy Clyde, and Harry Gribbon, among others.
This vintage original lobby card features an exterior shot of
Stan Laurel and Oliver Hardy
as painters as Stanley does some extra-curricular painting while he talks to Ollie. The caption at the top reads:
"Getting a little behind in his work."
The border artwork along the left border features great  full-color caricatures of
Carole Lombard, Oliver Hardy, Stan Laurel, Ben Turpin, Jean Harlow, Harry Langdon, Will Rogers, and the Keystone Cops
all doing their schtick. It is unrestored in very fine+ condition without any pinholes, tears, stains, or other flaws.
The Golden Age of Comedy
was producer-director Robert Youngson's first compilation feature film, consisting of clips from silent era comedy shorts. The movie was a surprise hit in 1957 and led to six more films of this nature spanning into 1970, as well as 1964's
The Big Parade of Comedy
, with clipped MGM feature films. This obviously isn't the best way to see silent comedies, but it's very good and was a very rare chance for the general public in the 1950's and 1960's to see silent movie footage, particularly on a theater screen, and certainly Youngson's films were an invaluable contribution to the burgeoning popularity of these vintage films which had begun to find their way onto the home movie market via Super 8, 8mm, and 16mm.
A number of the reviewers here have panned or given limited praise to this film because of the conspicuously missing silent era legends like Chaplin, Keaton, and Lloyd; however, the movie never suggests it is an definitive look at silent comedies, just a "memory book" of what the era was like and the type of wild humor audiences enjoyed some thirty earlier. The clips all come from either Hal Roach or Mack Sennett films and are actually limited to 1920's films. Laurel and Hardy enjoy the most footage with an extended abbreviation from
Two Tars
(an interesting look at 1920's road rage which, we are told, is one of the acknowledged classic shorts but actually seems one of the less funny of the segments given it's fairly repetitive and predictable). Perhaps the boys are better served by footage as ingenious prisoners who paint their way to an escape, a short but funny bit about the perils of reading street signs in the dark, or walking city streets with open manholes. There's also footage from the classic
Double Whoopee
, thanks to Jean Harlow's legendary appearance in the short in her shorts.
Harry Langdon, called "one of the great four comedians of the screen" (the other three are not mentioned by name but we know who they are), is in a segment that is cute but underwhelming. At least it's better than the seldom funny Ben Turpin or Will Rogers' surprisingly not too successful attempts at burlesquing movie heroes from the short,
Uncensored Movies
. Lovely teen-aged Carole Lombard is shown in footage from
Run Girl Run
, where most of the comic gags are played by pint-sized coach Daphne Pollard or fat girl Madelyne Field. Charley Chase is seen in an amusing segment with a brat kid and a circus lion.
Surprisingly, much of the funniest footage comes from unheralded (and often uncredited here) comics in various early bits as well as a checkers-playing cat and poker-cheating dog. There is an extended quite funny pie fight riot as well as pants-pulling, knee-kicking street war led by Laurel and Hardy, as well as such stock silent comedy staples as the horse-driven fire engines, train tunnels, criminals on the loose on a train, houses falling apart like paper, etc. Youngson's historic films introduced silent comedy to a whole new audience more than a half-century ago.